Last Updated on January 20, 2023 by Neil Chase
The introduction is also very important when you are writing a story – it’s your chance to hook your readers from the first sentence and make them want to keep reading. In this article, we will discuss an introduction and give examples from famous books and movies!
The introduction is the beginning of the story, which, as the name suggests, introduces the characters, setting, and plot. It should clearly depict the time period, genre, and the main character’s normal world in general.
It is also where you hook the reader in so they’ll want to read on. There are many ways to do this, such as starting with an exciting action scene, a vivid description of the setting, or a creative description of a character’s personality through a deed.
An effective beginning should also hint at what will happen in the story so that the audience knows what to expect. It is generally shorter than the other parts of the story, such as the rising action and resolution. Authors often put their best writing into the introduction to ensure that the audience is hooked.
The beginning of a story is called the introduction, which should be like a first impression. It should be brief and to the point, introduce the reader to the main character(s) and setting, and hint at what is to come.
In many ways, it is the most essential part of the story. The introduction sets the stage for everything that follows and, if done well, will leave the reader wanting more.
Freytag’s Pyramid is a dramatic structure that writers have used for centuries. It is named after German writer Gustav Freytag, who first described it in his 1852 book Technique of the Drama.
The exposition (or introduction) is the first section of the plot structure pyramid, in which the story’s conflict is set up, and the story begins.
While similar to the three-act structure outlined by Plato in Poetics, there are marked differences between the 3-act plot structure diagram and Freytag’s Pyramid, particularly in terms of the length of rising action, the point of occurrence of the climax, and the length of falling action (as illustrated in the diagrams above).
In addition, in a classical three-act structure, the resolution is not merely the very end of the story, as Freytag indicates, but the entirety of the third act, which includes the climax, falling action, and ending.
The introduction of a story is essential for several reasons. First, it sets the stage for the rest of the story. It introduces the characters, setting, and central conflict and gives the audience an idea of what to expect.
Second, the story set-up establishes the narrative’s genre, tone, mood, and theme. It can be futuristic sci-fi or a period drama. It can be light and playful or dark and foreboding.
Third, the introduction gives the reader a taste of the writing style that will be used throughout the story. Is it formal or informal? Descriptive or spare? The author can keep the reader engaged throughout the story by hooking the reader with an intriguing opening.
After the introduction, the story typically starts to unfold following the inciting incident and the protagonist’s decision to proceed on their quest. This is where the character development occurs and the narrative takes shape.
The middle of the story is generally when things start to get exciting, as the conflict begins to build and the stakes become higher, with multiple obstacles and surprises. This is also where readers start to get to know the characters and their true motivations. The climax is typically the most suspenseful part of the story, as all of the tension comes to a head.
After the climax, there is usually a resolution of some kind, whether it’s a happy or tragic ending. And finally, there is often a brief epilogue that ties up any loose ends and provides closure for the reader.
So what happens after the intro to a story? Well, it all depends on the type of story being told! But in general, this is where things start to get interesting!
Without an introduction, your reader will likely be confused about the events in your story. Think of it this way – if you were thrown into the middle of a movie without any context, you would have difficulty understanding what was happening. The same is true for any story, regardless of the medium in which it is told.
An effective beginning provides the reader with essential information about the story’s characters, setting, and conflict. It also helps to establish the piece’s genre, tone, and mood. By skipping the introduction, you are depriving your audience of important information they need to follow along with your story and connect with your characters.
Many elements must come together when writing a great story to create a cohesive narrative. One of the most essential elements is the subplot. A subplot is a secondary storyline that runs parallel to the main plot and helps to develop the characters and world further.
While the main plot is usually the story’s driving force, the subplot can add depth and dimension, making the story more well-rounded and enjoyable. So, how do you create a compelling beginning of a subplot?
There are a few things to keep in mind when introducing a subplot. First, ensure that the subplot is relevant to the main plot. It should add something new and essential to the story rather than feeling like filler material.
Second, you want to introduce the subplot in an organic and interesting way. Don’t just throw it in randomly; take your time and find a natural place in the story. Typically, subplots are introduced at the start of Act 2 or the rising action section of the story.
Finally, don’t forget to conclude the subplot once it has served its purpose. A well-written subplot enhances your story and adds to the main plot and character development.
It’s no secret that first impressions are important. The same is true of stories. It is essential to start with a strong opening to hook readers and make them want to keep reading. But how exactly do you write a memorable first paragraph, first scene, or first line?
One approach is to begin the story with a bang, such as an exciting action scene or a shocking revelation. This can be an effective way to grab readers’ attention and ensure they keep reading. However, ensuring that the rest of the story lives up to the promise of the opening is essential. Otherwise, you risk disappointing your readers and losing their interest.
Another option is to start with a more subdued scene and then gradually ramp up the tension and excitement as the story progresses. This can be a great way to slowly draw readers in and keep them hooked until the very end.
While there are no hard and fast rules for writing an introduction, some general guidelines can be helpful. First, ensure that you immediately introduce the reader to the main character(s) and setting. The last thing you want is for the reader to be confused about who or where they are supposed to be.
Second, try to give a taste of what is to come without giving too much away. You want the reader to be intrigued, not overwhelmed.
And finally, don’t forget that the beginning is just a small part of the overall story structure. It may be important, but it’s not the whole picture. So take your time and ensure it’s just right before moving on.
Overall, your story introduction should:
1. Introduce the characters and setting
2. Establish the conflict
3. Set up the stakes
4. Pose a question or problem for the reader to think about
Whichever approach you choose, just remember that the first few paragraphs of your story are crucial for making a good impression on your audience. So take your time and make them count!
You can even use artificial intelligence (AI) story-writing software to help you get over writer’s block and come up with plot points, dialogue, and character development!
A good introduction should make clear the subject matter of the work to follow, whether it be a book, story, film, or another form of media. It should also introduce the key players involved and set the scene for what is to come.
There are many ways to achieve this, but a few examples from literature and film stand out.
In the novel, The Catcher in the Rye, J.D. Salinger tells the story of Holden Caulfield, a teenager who is kicked out of a prestigious boarding school and becomes a wanderer in New York City. The book opens with Holden’s thoughts on his life and his current situation. He is critical of almost everything and everyone, but he is especially hard on himself.
Despite his negative outlook, Holden is funny, intelligent, and sympathetic. He is also incredibly honest, making him someone readers can immediately relate to and root for.
The Catcher in the Rye is an example of a good story setup because it gives readers a clear sense of Holden’s character and his voice (as well as the writer’s voice and tone of the novel). Additionally, it sets up the conflict that will drive the rest of the novel.
In the film Amélie, we are introduced to the title character as she narrates her whimsical yet tragic life story over images of Paris.
We learn about her unique perspective on the world, which begins with a solitary life where imagination is her only escape, to a decision to become more active in the world around her and bring happiness to others. This helps us to understand her actions throughout the film and connect with her on a more personal level.
In the film’s opening scene, The Godfather, Don Corleone listens to requests before his daughter’s wedding.
The contrast between the corrupt backroom deals and the joyous occasion of a wedding creates a powerful effect that immediately draws us into the story. It also gives us a sense of the rules of this criminal world and the code of honor by which Don Corleone lives.
This is an excellent example of how an opening scene can set the stage for an engaging and captivating film.
These are just a few examples of how the beginning of a novel or movie can give us a glimpse into what is to come.
A story introduction needs a hook to grab the reader’s attention, background information on the story’s fictional world and characters, and a hint of the conflict to come. The best introductions are short and snappy, so don’t get too bogged down in details. However, you also don’t want to give too much away, or the audience will lose interest. Think of the introduction as a teaser for what’s to come – it should whet the appetite without spoiling the main course. With a bit of practice, you’ll be able to write engaging and informative introductions.
Most fiction stories have an introduction, though there are some exceptions. An introduction typically provides essential background information about the story’s setting, characters, and plot. It may also include a hook to grab the audience’s attention and give them a reason to keep reading.
Sometimes, an author may begin their story with a dramatic scene rather than a story setup. This is known as an “in medias res” opening, and it can effectively engage the audience and draw them into the story. Ultimately, whether or not a novel or movie has an introduction is up to the author. Some prefer to start with a bang, while others prefer to provide readers with some context before diving into the action.
The goal of the beginning of a short story is to capture the audience’s attention and give them an idea of what the narrative is about. In general, you want to be able to introduce the main character and conflict within the first few lines. One way to do this is to start in the middle of the action. This can be done by starting with dialogue or giving a glimpse into the character’s thoughts or feelings.
Another approach is to begin with a brief overview of the story, followed by a more detailed description of the plot. Regardless of your chosen approach, the key for short stories is to keep the beginning brief and focus on creating a strong hook that will leave your audience wanting more.
To write a great fiction story, you must start with a strong introduction. This section introduces your story’s characters, setting, and plot and hooks the audience so they will want to keep reading.
It’s essential to make sure your introduction is well-written so that readers are drawn in and invested in your story!
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Last Updated on January 20, 2023 by Neil Chase
I’m Neil Chase, and I’m a story and writing coach, award-winning screenwriter, and author of the horror-western novel, Iron Dogs.
I believe that all writers have the potential to create great work. My passion is helping writers find their voice and develop their skills so that they can create stories that are entertaining and meaningful. If you’re ready to take your writing to the next level, I’m here to help!